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40–60% smaller files. Zero quality loss. Built for people who still care about the actual audio. #Lossless #AudioEngineering #OpenSource
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Doja Cat’s mixer found a clever way to make her vocal cut through without actually turning it up. I recreated the Say So technique in Logic. Which one sounds better? #dojacat #vocalmixing #audioengineering
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Discover the unique vocal production techniques behind KWN's chart-topping hits. Layering harmonies, pitch-shifting, and creative audio manipulation that was partly influences by Leon Thomas #VocalProduction #AudioEngineering #SignatureSound #MinasHouse
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vocal placement is 90% about volume automation, not eq. ride the fader phrase by phrase before you even touch a compressor, it saves hours in the long run 🎛️ #MixingTips #AudioEngineering #MusicProduction
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What happens when you bypass 27 corrective EQs at once? Suddenly you hear just how much junk was hiding across the mix. A papery, cloudy sound can plague individual tracks, but the fix isn't always on the master bus. #MixingTips #AudioEngineering
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Sculpted for performance. Detail without effort. Precision, engineered from within. The ELAC Vela 2.0, transforming technical innovation into a refined visual statement. #ELAC #Vela2 #AudioEngineering #Audiophile #HighEndAudio
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Mixing boards with limited faders can be a workflow nightmare, especially when assigning ports in groups of 8. #janlandy #soundbroker #AudioEngineering #LiveSound #MixingConsole #Workflow #ProAudio #SoundTech
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The AES Show Nashville 2026 Program is Now Online! Explore the latest sessions, speakers and events headed to Music City, and start planning your AES Show Nashville experience today - aesshow.com/schedule/ #AESShow #AESorg #AudioEngineering #ProAudio #Nashville
Graphic announcing that the AES Show Nashville 2026 program is now online. Text reads “Next stop, Music City” and “Program Now Online!” over a photo of downtown Nashville, with the AES Show Nashville logo, Gaylord Opryland Resort, October 30 – November 1, 2026, AESShow.com and a QR code.

ALT Graphic announcing that the AES Show Nashville 2026 program is now online. Text reads “Next stop, Music City” and “Program Now Online!” over a photo of downtown Nashville, with the AES Show Nashville logo, Gaylord Opryland Resort, October 30 – November 1, 2026, AESShow.com and a QR code.
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Laura Miley retweeted
Jana
@schmiddi090
15 May 2025
Can you hear the difference?💯 #vocalmixing #mixingandmastering #audioengineering
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Nada arruina más una mezcla que esos amplificadores que saturan en agudos y provocan clipping destructivo. He creado Volume Audio para limpiar esa señal y proteger tus altavoces del daño real. Tienes el link en mi perfil. #AudioTech #AudioEngineering #ProAudio
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This is just the beginning—a work in progress built for analog tone. More features, detail, and analog magic coming soon! #Neve551 #AudioEngineering #MusicProduction #DAW #AnalogGear
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This is just the beginning—a work in progress built for analog tone. More features, detail, and analog magic coming soon! #Neve551 #AudioEngineering #MusicProduction #DAW #AnalogGear
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Join the AES community for upcoming Section events, workshops, tours and gatherings. Explore the latest opportunities to connect, learn and engage through the AES Events Calendar: aes.org/events-calendar/ #AESorg #AudioEngineering #AESMembers #AudioStudents #ProAudio
Graphic highlighting upcoming AES Section events: “What Comes After Next?” – An Evening with Michael Nunan on September 22, hosted by AES Toronto; Immersive Capture in Practice on September 24, hosted by AES Boston; AUXeins: 30+ Workshops, Lectures and Seminars for Students and Trainees on September 25–26, hosted by AES Germany; and Studio Crawl & Mixer on September 25, hosted by AES San Francisco.

ALT Graphic highlighting upcoming AES Section events: “What Comes After Next?” – An Evening with Michael Nunan on September 22, hosted by AES Toronto; Immersive Capture in Practice on September 24, hosted by AES Boston; AUXeins: 30+ Workshops, Lectures and Seminars for Students and Trainees on September 25–26, hosted by AES Germany; and Studio Crawl & Mixer on September 25, hosted by AES San Francisco.
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Never push faders above 0dB. Going over 0dB offers no headroom and makes adjustments difficult, especially with automation. Preserve your mix's feel and sound by keeping faders at or below 0dB. #MixingTips #AudioEngineering
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Singing, recording, and mastering the craft! 🎶 Highlights from orientation day at T-Series Stage Works Academy. Time to turn passion into perfection. 🚀🎚️ #TSeriesStageWorks #AudioEngineering #SingingClass #SoundDesign #MusicStudents
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#AudioEngineering The 1176 is great for that. Don't sleep on compression when mixing.
Random questions from DIZZHAKK throughout the day.

ALT Random questions from DIZZHAKK throughout the day.
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The September 2026 issue of the Journal of the Audio Engineering Society is now online, featuring new research in audio, acoustics, perception, multichannel sound, loudspeakers, live sound and more. Explore: aes2.org/publications/elibra… #AESorg #AESJournal #AudioEngineering
Cover of the September 2026 Journal of the Audio Engineering Society, Volume 74, Number 9, featuring articles on perceptual audio coding, listener perception, multichannel audio, loudspeaker design, live sound, music genre style transfer and other audio engineering research topics.

ALT Cover of the September 2026 Journal of the Audio Engineering Society, Volume 74, Number 9, featuring articles on perceptual audio coding, listener perception, multichannel audio, loudspeaker design, live sound, music genre style transfer and other audio engineering research topics.
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A recent #AESorg Conservatory of Recording Arts and Sciences Section meeting covered AES membership, upcoming events, student subgroups and gear — plus Alien: Isolation and the eternal question: background music or a personal narrator? #CRAS #AudioEngineering
CRAS AES Section meeting with students seated at audio workstations in a large studio classroom, with two presenters seated at the front and attendees smiling and posing for the camera.

ALT CRAS AES Section meeting with students seated at audio workstations in a large studio classroom, with two presenters seated at the front and attendees smiling and posing for the camera.
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Planning your next JAES submission? Updated Author Guidelines and a new LaTeX template are now available to help simplify manuscript preparation. Latest resources: aes.org/publications/journal… #AESorg #JAES #AudioEngineering #AcademicPublishing #AudioScience #LaTeX #AESJournal
Promotional graphic announcing updated Journal of the Audio Engineering Society (JAES) Author Guidelines and LaTeX template. The design features the AES logo, an open journal, a JAES issue cover, and the text "Updated Author Guidelines and LaTeX Template Now Available!" against a dark blue background with stylized wave accents.

ALT Promotional graphic announcing updated Journal of the Audio Engineering Society (JAES) Author Guidelines and LaTeX template. The design features the AES logo, an open journal, a JAES issue cover, and the text "Updated Author Guidelines and LaTeX Template Now Available!" against a dark blue background with stylized wave accents.
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Marina Bosi will deliver the prestigious Richard C. Heyser Memorial Lecture at AES Show Nashville 2026! Join us Oct. 30–Nov. 1 in Music City. AESShow.com #AESShow #AESorg #AudioEngineering
AES Show Nashville 2026 graphic announcing Marina Bosi for the Heyser Lecture, featuring her portrait and event details for October 30–November 1 at Gaylord Opryland Resort. Text invites attendees to register at AESShow.com.

ALT AES Show Nashville 2026 graphic announcing Marina Bosi for the Heyser Lecture, featuring her portrait and event details for October 30–November 1 at Gaylord Opryland Resort. Text invites attendees to register at AESShow.com.
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